![larson late bird cartoon larson late bird cartoon](https://i.pinimg.com/originals/13/ca/d2/13cad20fecde27b6e6da20b2c39c7fdc.jpg)
He then explores a number of the comedic devices commonly used in The Far Side, considering ways that Larson modified or combined them in original ways: wordplay that literalized figurative speech or tested the logic of clichéd maxims in medias res (in the middle of the action) vignettes that required readers to complete a narrative cross-overs between animal and human worlds gothic or morbid deconstructions of comforting social myths and cheeky parodies of a variety of genres, mediums and discourses.
![larson late bird cartoon larson late bird cartoon](https://i.pinimg.com/originals/fd/93/c5/fd93c5ecfe2cf187a8b8022510b70618.jpg)
![larson late bird cartoon larson late bird cartoon](https://i.pinimg.com/originals/78/61/eb/7861eb42c8d8fb9dcfac630f2f23437b.jpg)
Second, using specific cartoons as examples, he analyzes the humor of Larson’s work in relation to basic theories of what makes us laugh: surprising incongruities, irreverent treatments of taboo subject matter, and comic depictions of violence or misfortune that evoke in the reader mingled emotions of sympathy and schadenfreude.
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First, he looks into Larson’s working methods as a comedian, charting his process from free associative brainstorming into strategies of refining and clarifying his jokes, and finally receiving critical feedback from editors. In this chapter the explores the comedic devices and themes on display in The Far Side.